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Every casting director has a nose for acting because they witness the growth of every actors. ‘Dum Laga Ke Haisha’ saw casting director Bhumi Pednekar making her debut in Bollywood but Ayushmann said nobody believed on the set that she was a newcomer. The ideas of voice-over before the song and the costumes of Prem were mine,” he said. He researched a lot about the place (Haridwar) but when we were filming it, I gave my suggestions too. Since we both belong to Delhi, we understand the psyche of the UP. Pankhuri Awasthy’s Dum laga ke haisha moment with Yukti Kapoor on the sets of Sony SAB’s Maddam Sir Pankhuri Awasthy’s dhamakedar entry with Karishma Singh amidst a fire sequence has already garnered immense appreciation from the fans. His sense of timing and language is awesome. The ‘Vicky Donor’ star contributed his inputs to the director to make the storyline more engaging. We get nostalgic when we hear songs of that period,” he said. If we talk about the cinema goers of today’s time, all of them spent their adolescence years in that era. People might say that it was a dark era for Bollywood as we had similar films and songs but I feel it was a brilliant time. Set in the ’90s, it was a treat for Ayushmann to relive his years of growing-up with the film. It was very situation-based and we all played rooted characters,” he said. “It was a very real film and there was a brief from Sharat Katariya (director) to only react to situations. (Read: Director Sharat Katariya on the unusual subject of ‘Dum Laga Ke Haisha’) In the film, which hit theatres last Friday, Ayushmann is playing a loser who gets married to an over-weight woman much against his desire. “Depending upon the word-of-mouth and the requests we are getting from our fans outside India, we are releasing it worldwide,” Ayushmann told PTI. (Also read: Weight has never been an issue for me: ‘Dum Laga Ke Haisha’ actress Bhumi Pednekar) I think it was a good decision by YRF to gauge the audience’s reaction by releasing it in limited screens. We had a platform release of ‘Dum Laga Ke Haisha’ in India. Undeniably, the smarts are visible in its original thinking but it doesn't translate into a satiating viewing experience.“We are releasing the film internationally probably this weekend. Sanjay Mishra and Seema Pahwa are at the top of their game.īut in the end, it isn't extraordinary, failing to rise above the idea that a fat girl needs some schmuck to complete her life. Khurrana, is the best he has been since his launch venture. For a debutante, Pednekar is surprisingly confident. The actors, however, deliver redeeming performances. The film's subplots are unnecessary and abrupt, like the sudden demise of a never-mentioned-before uncle which triggers the final act. It's the only thing that makes its ‘loser’ hero look good and is a contrived culmination of the romance we never find blooming.
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Such scenes might crack you up, but the crackling effect is wiped out as the film moves towards a predictable climax featuring Kumar Sanu, a steady fixture since the first scene. Interestingly, the actress opted to make her debut with a role not everyone would like to prefer opting for at the beginning of their.
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There’s even a desperately-included fight sequence where the couple aggressively play 90s songs. Dum Laga Ke Haisha The movie marked Bhumi’s debut in acting. Its rustic setting, bustling by-lanes and old-world charm does an overt job of selling the VCR era. The movie erects a plot whose on-the-face nostalgia factor is almost jarring. The film’s first hour sails smoothly sans hiccups, but the second half can be faulted for unspooling tediously. Set in circa 1995 in Haridwar, he carefully refrains from creating a staple, syrupy affair. Sharat Kataria pulls off a quaint-yet-flawed film. This film might further the cause of breaking away from the bastion but it reeks of predictability.